The WSA is happy to welcome new exhibiting member Laurie Hammer. She is a watercolorist, whose carefully observed subjects are rendered with sensitivity, skill and sometimes a bit of whimsey. Be sure to visit her artist page.
Welcome to the WSA Laurie!!
We are sad to share the news that long time WSA member Nancy Payne passed away on October 21st. She had been a member of the WSA for 24 years and was a regular participant in our shows. Primarily a watercolorist, Nancy’s paintings were especially expressive in their simplicity. She was an enthusiastic participant, having signed up for our plein air event at Elm Bank this past summer, the day before her 90th birthday. She will be missed. Visit Nancy’s WSA artist page.
Many thanks to the welcoming and supportive WSA community for this opportunity to share my story. I began dabbling in watercolor after retiring from a long (some would say eclectic) corporate career of forty-five years.
I fell in love with the vivid colors, translucence, and play of light possible using the medium. My paintings are realistic (well, recognizable). Subjects are often pets, people, situations that tell a story or evoke emotion, or treasures from the past that make me smile.
Throughout the last fourteen years I’ve taken lessons from some of the best and most patient instructors through Weston Council on Aging programs and other outside workshops: Paul Alie, Paul George, Marla Greenfield, Andrew Kusmin, Sally Meding, Mary Jo Rines, Dawn Scaltreto, Tony Visco and Nancy Walton. In addition to WSA, I’ve been honored to show with the Needham Arts Association, New England Watercolor Society, the Scituate Art Association and the Rhode Island Watercolor Society.
There is no discernable pattern in my story. With a BA in history from Oberlin and a year as an admissions counselor under my belt, I ventured from Ohio to Boston where there was absolutely no need for history majors.
Through a typing gig, I wangled a job managing Ford and Carnegie Foundation grants at the Sloan School of Management and then joined several MIT faculty member’s spin off consulting companies, first in management information systems and then in quantitative market research, evaluating consumer products prior to market launch— stuff like shampoos, crackers, nicotine gum, frozen tacos, dried baby food, ant and roach killers—challenging work and a great source of frequent flyer miles.
I had no business working alongside quantitative genii except that I could translate technical terms into plain English for brand managers…calling a centroid a dot, a vector a line, not to mention the contortions of explaining multinomial logit models. While cavorting in the land of regressions, I also played violin with the MIT symphony for nine years and studied graphology, handwriting analysis.
My next adventure involved using handwriting analysis for hiring decisions, counseling, jury selection, threat letters and forgeries. Finally, as a head hunter I recommended myself for my last honest job, teaching seminars to large corporations and government agencies here and abroad on how to organize and present complex business documents.
Free at last, I began scribbling and dabbling. After publishing a few short stories. I joined three other writers and became a contributing editor and compositor of six anthologies: Best New England Crime Stories. I parlayed one short story into a mystery, and just sent my third novel off to the publisher. (Check ‘em out: Katfast.com)
Somewhere along the line I settled in Weston and married my college sweetheart twenty years after graduation. He retired last year after fifty-one years of teaching English, the last thirty-five at the Belmont Hill School. It’s been a fun and rewarding ride. Now I can cherish free time to paint and play with words, and relax with my husband, mouthy German Shepherd and three tuxedo cats.
October Artist Spotlight
Meet Hannah Nersasian
Hannah Nersasian creates playful acrylic paintings of animals, birds and bugs, using vintage papers or reclaimed boards as her canvases. Originally from Somerset, England, Hannah moved to the USA in 2010. She now lives in Framingham MA with her husband, 9yo son and 5yo daughter.
Tell us a little about your background as an artist…
Art and painting have been a refuge for me since childhood. In highschool I’d camp out in the art room as a survival tactic. I studied Art up until A-level but decided English Literature was a safer degree choice – a decision I now seriously question!
I ended up working in the non profit sector but would always find a way to steer my work back towards creating – be it decorating a dolls’ house for a family shelter playroom or organizing mural painting for corporate volunteers. When my son Wylder was born I stopped work and threw myself head first into motherhood. I found it all consuming and overwhelming and soon started painting regularly during his nap time as a way to reclaim my sense of self.
What do you paint?
I almost always paint animals, birds or bugs – they just spark my interest more – and I use fun backgrounds as a way to say something about the subject. When I first started selling my work I tried to paint what I thought would sell rather than what I found most appealing. Unsurprisingly, I’m not the biggest fan of this earlier work! It wasn’t until I started painting things that delighted and amused me that I really found a style that felt true to me. I often paint pieces designed to interact with each other – a fox staring at a squirrel, an owl hovering above a tiny mouse.
What is your process?
I love to find interesting backgrounds and reclaimed things (record sleeves, chopping boards, sheet music or maps) and to use that as a jumping off point for the subject. A map of North America sparks the migration of Monarch Butterflies or the musical direction “Lento” might inspire a snail painting.
Once I have the background and an idea for a subject, I’ll search for a reference photo. Where possible I take my own photographs, but often use Pixabay, Unsplash or buy stock photos. Then I decide on the placement of the image and when it’s sketched out I’ll start laying down paint. A painting will take many different layers of color and texture before it has the depth I’m happy with. And for a bird or animal with feathers / fur, it can take ages to build up those layers. I tend to paint as much detail as a can and I use tiny brushes.
Why do you paint?
I’m an introvert living in a house of noisy extroverts and I have a very busy mind that can teeter into anxiety at times. Painting is the closest I get to meditation. When I’m immersed in painting, I concentrate fully and time zooms past at an unbelievable rate (not that that’s necessarily a good thing!). I also see it as a way of putting my whole quirky self out there for the world to know – and I like to highlight nature and all the tiny incredible things around us that are so often overlooked.
What are your painting goals for the next year?
My daughter started Kindergarten this September and I’ve found myself with more time and quiet than I’ve ever had. I’m hoping that this year I’ll form relationships with more shops and galleries, join additional local Artist groups, answer Calls for Art and really try to sell my work consistently. First up is the fall show “FRESH” at Gallery Twist in Lexington, where I have a number of pieces. I’m also trying to grow my instagram account in a meaningful way – forming connections with other artists and nature/art lovers rather than just follower numbers. My Instagram handle is @wyld_woodland
WSA members Nan Rumpf and Carol Bershad created the Art Sparks card deck to inspire watercolor artists to explore different ideas and techniques, and to create more accomplished paintings. Their project also got a nice review from watercolor artist Shari Blaukoft and Art Sparks will be featured on the New and Notable page of the next issue of Watercolor Artist Magazine.
September Artist of the Month
Meet Nelson Hammer
Growing up on Long Island in the 1950s, one of the few elementary school-related assignments I remember was given to us at end of each school year: We had to draw a picture of a child running after a truck. The results were kept by the schools (no copiers then!) to measure the artistic progress of each student over the years. My teachers and friends always thought highly of my efforts, and it was one of my favorite assignments to do. I’ve enjoyed drawing for as long as I can remember, and still own many sketches I did as a teenager.
My parents bought me an oil-painting set when I was in college, and I took to it with relish. I also supplemented my parents’ allowance at school by doing charcoal portraits of my friends, with my best friend standing behind me to give me real-time critiques of my progress because I had a tendency to err on shapes and forms. I charged $2 a pop. Not much of a supplement.
I graduated with a BS in landscape architecture in 1969. Upon graduation, getting job, earning a living, getting married and having a family became roadblocks to my work in oils, especially because I painted so slowly. Despite my interest, I never took art classes during or after college. After my two children left home for school, I created a few more oils, but was becoming less interested in it due to the odors of turpentine and linseed oil…and the lack of ventilation.
During the summer of 2014, as I was strolling through a Michael’s crafts store with my wife and two eldest granddaughters, I spotted a starter watercolor kit and bought it on a whim. Now, what to paint? I digitally strolled through the web, keyed in beautiful, colored birds, and off I went. I had painted several birds when a friend advised me that I could liable for copyright infringement by creating derivative images of published material. I thought my bird painting was over!
Enter two relatives who were excellent amateur photographers: my daughter’s mother-in-law, Brenda Robert, and a first cousin, Mike Funk. They were eager to offer me an endless supply of subject matter, and a year or so after that, I received permission from several professional bird photographers to use their photos without fee. Crisis averted….until I filled out applications to join the Wellesley Society of Artists (WSA), and later, the New England Watercolor Society (NEWS). Both forbid the use of photos by others as source material. Gotta use my own photos!
Since bird photography is an art form of its own of which I had neither the skill nor the desire to learn, I turned to landscapes several years ago, which my landscape architectural background had helped foster. When my wife passed away in 2021 after living in Needham for 42 years, I moved in 2022 to an apartment in Wellesley Hills located across Route 9 from the Hemlock Gorge Reservation, home of Echo Bridge. If it is possible to fall in love with an inanimate object, I did just that, and have painted the bridge four times and counting.
However, the allure of painting birds and other fauna remained, yet I was resolute in wanting no part of investing in telephoto lenses and learning the nuances of DSLR and/or smartphone cameras. What to do? I know! Go to where birds and other fauna- having no fear of humans- casually interact with us without the need for a long lens! Off I went last December to the Galapagos Islands, had the time of my life, and took dozens of photographs of birds, sea lions, lizards, and giant turtles that have already been- and will in the future become additional- source material for my watercolors.
I was quick to realize that joining local associations would be very helpful me in both displaying my art and networking with other artists; I joined the Needham Art Association the same year I started painting. Since I was still as yet unable to wean myself from using others as photographic sources, I did not join NEWS until 2018 and was made a Signature Member in 2022. I also finally joined WSA soon after I moved to Wellesley Hills.
My painting style- realism with a focus on detail- dictates that I paint deliberately. I make no effort to hasten the completion of my pieces for a few reasons:
Lastly but most importantly, art has been by my side and in my head when I needed it most during the past few years. Since I started painting in watercolors in 2014, orthopedic issues have taken tennis, then golf from me. But I can still paint! In the last three years, I lost my wife of 49 years, sold my house, moved to an apartment in another town, and retired the day I moved. A lotta stuff to absorb, and I couldn’t have gotten through it as readily as I did without my art… a blessing NOT in disguise!
August Artist of the Month
Meet Robert Savage
Dr. Savage is a retired surgeon, assistant clinical professor at Harvard Medical School and Past President of the New England Society of Plastic & Reconstructive Surgeons. He is a life-long art lover and started a second career in 2016 as a local art historian, collector and now artist. He is eternally grateful to WSA for all the support and friendship he has received in these new art adventures. He is particularly proud to have been involved in 2023 writing of a 36-page booklet on the amazing 90 Year History of the WSA and celebrating its anniversary with a lecture on the topic at the Wellesley Free Library in conjunction with the Wellesley Historical Society.
Basically self-taught Bob is inspired by the Cape Cod folk art tradition of the Cahoons and Elizabeth Mumford, and the soulful Provincetown and Truro paintings of Anne Packard and Edward Hopper. His work concentrates on iconic scenes of New England, especially the Cape and Islands. During his process he enjoys using different geometric shapes and color experimentation. His latest project is transforming classic, early works by the Provincetown Printers into what he refers to as “white line” acrylics.
He formerly curated two art blogs on Facebook: the Wellesley Collection Art Review and Friends of the Rockport Art Association and Museum. He has published over one hundred brief biographies on AskArt.com and consulted for the Massachusetts Horticultural Society on art acquisitions.
His personal collection has been featured in the American Fine Art Magazine, and he is a frequent art history contributor to the Wellesley-Weston Magazine, where his career transition from physician to artist was featured in the 2022 summer edition. He is an exhibiting member and was a board member of the Wellesley Society of Artists. His current writings and lectures focus on women artists of the early twentieth century.
Exhibitions:
Rockport Art Association Museum
Annual Grassroots: Emerging Artists Exhibition, July 2021, July 2022, August 2023, June 2024
Contributing Members Exhibition 2022
Osterville Village Library, Osterville, MA, Cape Cod
3rd Annual Plein Air Exhibit, July 2021
4th Plein Air Exhibit July 2022
5th Plein Air Exhibit, July 15,2023,6th Annual Exhibit July 20,2024
Contact:-wellesleycollection@yahoo.com
Cathy is currently working on a 30” X 40” painting inspired by a spring walk at Garden in the Woods, Framingham. There were many vibrant layers of beautiful colors on that particular day. This painting will become part of a show called “Views of Framingham” that is supported by a grant from the Framingham Cultural Council through the Mass. Cultural Council. The eight painters at Howard Street Studios, most of whom are WSA members, are taking part in this rotating venue exhibit from late summer into the winter. Proceeds from sales of their art will support community based nonprofits. June Artist of the Month
Meet Cora Ainge
When did you start painting and what do you love about it?
It wasn’t until my early 30s that I first picked up a paint brush. In an attempt to survive being cooped up with young kids during a particularly harsh Boston winter, I grabbed some cheap paint, brushes and canvases at a craft store one afternoon. As I sat with my boys at the kitchen table painting, I was surprised by how relaxed I felt and how quickly the time had passed. I remember putting my kids to bed that evening and rushing back to the kitchen to paint again. I loved it and painted hours into the night without realizing it.
My dad had tragically died 3 months prior in a car accident at the age of 58. Still very much buried in grief, I found myself turning to the little painting station I’d set up in the kitchen. Each evening after my kids were in bed, I’d quietly paint and began to realize it was giving me a much needed break from the sadness of losing my dad so suddenly. The process of painting had a way of sucking me into a state of flow that was incredibly healing.
As time went on, my love for painting grew strong. I was so thankful for YouTube because I felt like I could learn how to paint just about anything – all I needed was my iPad, painting supplies and a cup of tea. I did every demo I could find!
It wasn’t long before I was deeply in love with painting and I remember how the world around me had turned into a palette of paint. I couldn’t help but look at trees and sky without color mixing in my mind. I began to appreciate color (and the world around me) in a whole new way – there were suddenly so many fun little color puzzles around me, all the time!
The joy of color theory was one thing, but what I was completely mesmerized by, was light. Like a moth to a flame, I obsessed over the powerful effect light had on what I was painting. Playing with light is how I learned to infuse my paintings with mood and atmosphere. Not to get too annoyingly “artsy” here, but once I figured out how to paint light, I started to actually feel, dare I say a bit of “emotion”, when I looked at my paintings (ew gross, sorry). But, it’s true! Sometimes the most simple wisp of light can take a painting from stale to serene and that’s what draws us in!
After some time, and through much trial and error, I began to churn out original paintings. I’d hang paintings on my walls and soon I was painting for friends and family. Like most artists starting out, I remember being absolutely floored when complete strangers were willing to give me real money in exchange for my art. What?! I don’t think the shock of that will ever wear off. After some encouragement from loved ones, my little LLC was born and I couldn’t be happier.
What do you like to paint and what are you currently working on?
I paint a lot of flowers and landscapes (golf courses, in particular), but what I’ve really been loving to paint lately are ballerinas. I had a solo show of ballerina paintings last year and I loved painting them so much I’ve started working on a second series.
Strangely enough, however, some of my most enthusiastic buyers are golfers. I saw there was a hole in the golf painting market when I noticed how giddy my golf-obsessed husband and his buddies would become when chatting about their golf outings. But what I didn’t expect was that most of my golf paintings would actually be purchased by women who came to know my work because they saw my flowers or ballerinas – turns out a lot of them are also married to golf nuts and golf paintings make great gifts. Works for me!
Follow Cora on Instagram @coraaingeart
WSA member, Fritz Kubitz, recently had a show “All About Boston” at the Guild of Boston Artists featuring some of his iconic paintings of the city.
Showing interest in drawing and painting from a young age, Frederick “Fritz” Kubitz was encouraged to train as an architect and received his master’s degree from the Massachusetts Institute of Technology. As a student in the developing city, he was immediately enthralled by Boston’s urban landscape. Upon graduation, the young architect was offered a position at the firm Eero Saarinen & Associates. He would go on to build an impressive portfolio and participated in the design of the TWA Flight Center at the John F. Kennedy International Airport, Dulles International Airport, and the London Embassy. From there, he was offered a position as a Jr. Partner in a large Boston firm where he went on to add to the architectural canvas that lay before him, planning the expansion at Logan International Airport and designing several of its terminal buildings. He later started his own office, designing academic buildings at Harvard and Tufts Universities, and remodeling the old Fenway Theater/Biltmore Hotel to become the Berklee College of Music.
Throughout his education and career as an architect, Fritz continued to nurture his passion for painting, eventually devoting himself to fine art, creating first in watercolors and then in oils. Since 1990, Mr. Kubitz has painted a staggering 2800 pieces. While his subjects come from throughout the US and Europe, his most beloved scenes capture the vibrant and ever-changing cityscape of Boston and the surrounding landscapes of the New England Region. A quote from the American Watercolor Society Summer 2021 Newsletter expounds, “Frederick Kubitz has an intuitive ability in choosing appealing subject matter, plus a unique sense of style, placement, and dramatic use of lighting effects, giving him a much honored place among New England painters.” Often working on location, his paintings present Boston in an earnest, luminescent, natural light that calls back to the admiration he felt towards the city as a student. Meanwhile, his architecture background enhances his compositions with a deep knowledge of structure and keen eye for detail. From memorializing its iconic and historic landmarks to documenting its citizens and visitors in quotidian moments of leisure, Kubitz captures the beauty and energy of Boston’s every corner. All About Boston is an ode to a city Kubitz has dedicated his life to commemorating and quite literally, shaping.
Over the span of his career, Kubitz’s paintings have toured nationwide to various museums and places of exhibition. His work can be found in the collections of many corporations, financial institutions, professional offices, as well as private connoisseurs of art. In addition to being a member and former Vice President of The Guild, Kubitz has served as the president of the New England Watercolor Society and the Wellesley Society of Artists. He is also a Signature Member of the American Watercolor Society and the American Society of Marine Artists as well as a member of the Rockport Art Association and the Copley Society of Boston.
Press release courtesy of the Guild of Boston Artists
