May Artist of Month

Meet Ken Northup
Ken Northup grew up in Queens, NY, and like most people enjoyed his art classes in school. He majored in Psychology at Iona College and took one art history class as an elective and regrets not being able to take more. After college his brother recommended oil painting and Ken went along with it. He painted for a short time but soon married, embarked on his career and began raising a family. It was not until retirement that he began taking painting classes again at the Old Church Art School in Demarest, NJ. His love of painting was reignited. 

Following his two daughters who had both moved to Massachusetts; Ken and his wife initially relocated to Norfolk, and later moved to Yarmouth Port. While living in Norfolk he took classes at the Danforth Museum School and joined the Franklin and Foxboro Art Associations. An art friend at the Danforth recommended that he join the WSA and where he continues to be a very active member, working at hanging all of our events. Later upon moving to the Cape, he joined the Cape Cod Art Center in Barnstable and the Creative Arts Center in Chatham.

Northup combines his love of travel with his love of painting landscapes. He paints mainly from photos taken on trips and says, “I like the creation…When I’m painting a landscape, I feel like I’m back at the place.” He most recently had an adventurous trip where he and his wife “got in the car and started driving south” with no set itinerary. They ended up on Sanibel Island and this trip is providing many a subject for his stunning landscapes.

Northup is proud to have attained status as a Copley Artist after being a member of the Copley Society of Art for nine years. He has done demos at many venues in New England at both the Sandwich and Yarmouth Art Guilds on the Cape and at the Copley Society in Boston. He is featured in many Massachusetts galleries, including the Renjeau Gallery in Natick, Gallery Antonia in Chatham and the Copley Society in Boston.





Kastel has been a highly sought-after artist ever since. He has done commissioned pieces for many art collectors and admirers, including the one shown here of the girl at the piano. This exquisite painting was done for a Connecticut art dealer who focused on American Impressionism. After 40 years of years of focusing on commercial art, Kastel now enjoys choosing his own subjects. Some of his recent work has been inspired by a friend of his who is a bird photographer. The owl shown here and his award winning “Blue Bird” have been painted from this photographer’s work “with a little artistic license.”




Noonan had joined the WSA many years ago as an associate member and recalls with anxiety the jurying process when she realized that she was ready to exhibit. Of course, it went very well. She began exhibiting for the WSA and won an honorable mention award from juror David Curtis. This was one of her first paintings done en plein air. She also exhibited at the Unitarian Church in Watertown with her friend and sold several paintings. She does not focus on selling however and gives many paintings to special people in her life. She ponders, “I can see my work on display in five different homes.”
Judy has taken many classes and workshops over the past fifteen years. One of her favorites wasworking with Paul George at the Lexington Arts and Crafts Center. She also learned a great deal at a workshop with Robert O’Brien in Vermont. At the Wellesley COA, she studies acrylic painting with Maris Platais where she is struck by his “metaphysical” view of art.



Unger credits two instructors for much of her training: Sarah Alexander at the Broadmoor Wildlife Sanctuary and WSA’s Nan Rumpf. She paints watercolors on aquabord and has recently been painting wax resist watercolors which she finds “exciting and liberating; I enjoy the limited choices that the wax allows…and the speed of this process.” Finding another new interest in woodworking, Yvonne has also begun to frame her own pieces.
So, what’s next for Unger? She is looking forward to an Abstract Watercolor Class taught by WSA member Sally Meding and “less realistic and less detailed painting.” She continues to paint and learn and finds painting to be a wonderful meditation. Her husband and daughter are two of her biggest fans and supporters.
Lynda Davis Jeha can barely recall a time when art was not a part of her life. This keen interest began while watching her father paint. Her father was an engineer who did not truly enjoy his work until his brother gave him a set of oil paints to bring life to his projects. Now, in his nineties, he has never stopped drawing or painting. Davis Jeha and her dad continue to share a very special relationship in which their art plays an important role.



Last but certainly not least, Davis Jeha has a great love for teaching art. At Wellesley College, she is dedicated to teaching adults and children in non-traditional methods. She focuses on bringing out an individual’s unique talents rather than on how the end product appears. This artist, while mainly self-taught, has taken classes at Mass Art, the Museum School and Simmons College. She has won several awards for her work and has sold many pieces around the country and internationally.
There is no doubt that portrait painting presents numerous challenges for the artist who works to capture the nuanced expressions unique to the individual who sits before them. Renowned portrait painter Richard Whitney has made a career of doing just that, and it has been quite a journey. Over 60 people filled the Wakelin room at the Wellesley Free Library to see the live portrait demo with Mr. Whitney. The sitter for the afternoon demo was Lian, a poised young woman who proved to be the perfect model. As Mr. Whitney began to lay in the portrait, the audience was treated to a slide presentation of some his notable portraits complete with details about the subjects. One of the most striking of these portraits was one of Whitney’s father, in which he said he sought to capture his gentleness and kindness. The portrait, titled “Dad” captured that and so much more as witnessed by the audience’s reaction.


Helen Turner has been painting for a mere seventy years. She began after transferring to Wayne State University in Michigan and thought it was time to start studying something new. She had been studying business at Fischer College but decided to major in Art and Science at Wayne. She moved back to Wellesley after graduation but never put down her paintbrush. 

Upon her return home, Turner studied with Artist Deborah Bates and currently studies with Maris Platais. Bates introduced Turner to acrylic painting, which is now her preferred medium. An avid gardener, Helen continues to paint florals and landscapes, often with birds and other animals. All of her sons are great admirers of both their mom and of her artwork. She often includes her grandchildren in nature scenes as well as “anything her sons ask for.” Painting has been a cherished part of Turner’s life, allowing her both to pleasantly “get lost for hours” and to share the beauty she creates with her loved ones.
drew a crowd of over 5o people. The evening’s program opened with a special visit from Sue Webb, Director of (SPIN) Stray Pets in Need and the Animal Control Officer for Wellesley, who gave a brief overview of this local program which supports the care and adoption of stray animals. The WSA also collected donations of pet food and blankets for SPIN from many attending the program.


Yale Nicolls grew up on the water in Darien, Connecticut to a family of art lovers. Both of her parents had painted earlier in their lives, but Yale mainly recalls their interest in acquiring fine art. As a child she spent a good deal of time in the smoke-filled rooms of auction houses where her mother often left with treasured pieces of art which now line the corridors of the Nicolls’ home. While she had no formal training until later in life, Yale fondly remembers making carvings from Ivory soap when she wasn’t swimming or playing tennis.
Nicolls had a great deal of success on the tennis court and met her husband Jim at a national match at Longwood at age 15. While she dated other people during college, it was always Jim who kept her interest with his prolific correspondence. She attended University of Southern California where she played tennis and then transferred to Barnard graduating with a degree in Philosophy. She and Jim reunited, married and finally settled in Wellesley. Nicolls taught tennis along the way and racked up 20 years as a professional at the Wellesley Tennis Association. Five children and a lot of Play-Doh sessions later, Yale’s interests in Arts and Crafts was renewed.
Nicolls joined the WSA in 2004 and has served on the board as secretary, then president and now secretary again. She saved the WSA from dissolution when she first took over as president and served in this capacity for a total of 8 years, including years when she co-presided with Bobbie Suratt. Nicolls has now mastered acrylic painting working with Maris Platais. It is no surprise that one of her favorite subjects is the ocean, especially the coast of Maine, though all of nature is an inspiration for Yale. Their beloved dogs and capturing each one’s distinctive personalities on canvas provide endless motivation for this artist.
England Watercolor Society as well as the Rhode Island Watercolor Society and still paints regularly with the Watercolor Connection in Natick. She has exhibited in a number of juried National and Regional Shows. A new award has just been established by the WSA in honor of Nicolls in recognition for her years of service and leadership. The “Yale Nicolls Award for Interpretation of the Natural World” will be awarded annually at the WSA Fall Library Show.
Dayle Bodnar’s artistic talent was quickly identified at a young age. When she was eleven, her mother asked the high school art teacher to give Dayle lessons after school. While she felt “very young” and sometimes out of place, her ability was clear. In the Bodnars’ sun-filled family room, hangs a beautiful oil painting of a bird. Bodnar recollects, “I painted that when I was twelve.” It hung in her grandmother’s home until her passing. 


