March Artist of the Month – Meet Phyllis Paster

March 

Artist of the Month

Meet Phyllis Paster

Watercolor artist Phyllis Paster grew up in Albany, New York and attended a private school in the countryside through 12th grade. When she was not outdoors gazing at the rolling hills, during down time, she could usually be found in the art room; “I was always very interested in art as a child; I would paint, sculpt or carve balsa wood boxes. But I never touched watercolor. I did not understand how you could have any control on wet paper.” She also fondly remembers, “My father owned a jewelry store and my works of art were always taped behind the cash register for the customers to view”.

Paster went on to college and attained a Master’s Degree in Elementary Education at Boston University. After teaching sixth grade for one year, she embarked on her long career in health care including Children’s Hospital in Boston, a start-up HMO in Wellesley, and medical group management. In 2001, she put her skills to work in a different direction and launched her own organizing business, It’s About Time. She works mainly with the elderly and her goal is to help this population maintain independence. A genealogy researcher as well, she enjoys listening to rich stories about their individual lives and researching their family trees.

In 1991, Paster was feeling the call to focus again on her love of art. She began taking courses at The DeCordova Sculpture Park and Museum and was fortunate to find teacher and mentor Dudty Fletcher who taught figure classes. As she recollects, “I was introduced to watercolor and I was smitten. I just love the immediacy of it. You know right away if it is working or not.” Marjorie Glick and Marilyn Swift are other great influencers on her watercolor technique. She has taken workshops in Europe and throughout the US and has spent a great deal of time doing plein air painting in Gloucester.

This artist continues on her lifelong watercolor journey and writes eloquently about her experience: “Each time I approach a new painting I hope to capture the image as well as my feelings about the subject. My goal is to become one with the pigment and to mix with the water on the paper. I delight as the wonder of the pigment, the water and the paper unfold before me.” Frederick Franck’s words from his book The Zen of Seeing have special meaning for Paster: “When I am seeing/drawing, I take hold of the thing, until it fills my total capacity for experience. Once I have this taken possession of a hill, a body, a face, I let go, let it free again, as if releasing a butterfly. Yet it remains mine forever.”

Paster also has been creating alcohol ink tiles which satisfies her passion for spontaneous results with more exciting and vibrant colors. These are sold along with notecards on her Etsy site, The ArtPhylStudio. She also creates gelli plate acrylic monoprints. She has been an exhibiting member of the WSA since 2004 and participates with a fellow artist in Celebrate Newton the annual juried crafts show.

Watercolor remains magical and mysterious to Paster. She wrote a lovely piece called “Recipe For A Watercolor:”

~Select a piece of watercolor paper and decide on a subject to paint

~Summon one of the Watercolor Muses like Winslow Homer, John Singer Sargent or Maurice Prendergast for Inspiration

~Fill a brush with water and pigment and paint a few dabs of light color here and there on the paper. Then paint away!

~Enjoy the spontaneity and magic of the watercolor paint on the paper

~Each surprise is a unique opportunity to improvise and take advantage of the characteristics of the watercolor

~When the painting is finished, add a white mat to frame the picture and step back to take in the whole painting while munching on a chocolate chip cookie. Make last minute adjustments as needed but don’t overwork the painting!

~Enjoy the new painting and the cookies.

 

90 Years of Art – Happy Birthday WSA!

The WSA is celebrating its 90th anniversary this year! In honor of this amazing milestone, WSA exhibiting member and art historian (and retired surgeon), Robert Savage has written about its rich history, which is now permanently available to read on the WSA website. Throughout the decades of the WSA’s 90 year history, it is the collective talent of many that have supported the WSA’s mission and cultivated art and creativity in our community. The WSA history can be found on the menu under “About” and then select  “90 Years of Art”. Enjoy!

The WSA would like to recognize Bob Savage for his many, many hours (years) of research and writing to bring this rich history to light. Thank you Bob for your time and contributions!

The WSA would also like to extend its profound thanks and gratitude to Lucy Davis of MarketNext Communications for her editorial and website services which were instrumental in bringing this project to life, including her generous donation of time spent on this project. 

February Artist of the Month – Meet Sally Meding

February Artist of the Month 

Meet Sally Meding

While growing up in Kent, England, just south of London, Sally Meding knew she wanted to be an artist. Her parents however had more practical ideas and persuaded their daughter to get a BS in Biology. Meding went much further and attained a Ph.D in Immunobiology. While studying in Freiburg, Germany she met her husband and they eventually immigrated to the United States. They landed first in the Bay Area of California and welcomed their son into the family. Taking a break from work, the artist and scientist turned to her real passion.

Meding credits many wonderful teachers with whom she has studied over the years: Jane E. Jones, Miles Batt, Nita Leland, Carl Dalio, Betsy Dillard Stroud and Mark Mehaffey. She has always loved watercolor, the medium she chose for its portability, vibrancy and transparency, from the moment she began. She was taught abstraction (design) and later taught herself realism.

After 15 years of learning and painting, this student became the teacher. She describes herself as a colorist first but each piece is defined by design, color, shape or texture as the dominant feature. “I approach art in a scientific manner…abstracts start more spontaneously and I use the elements and principles to achieve unity in each piece.” Using a limited palette also helps her achieve harmony. Meding teaches and respects the rules but explains, “Rules can be broken in art; they are just guidelines.”

As a Signature Member of the New England Watercolor Society, the Rhode Island Watercolor Society and the Southwestern Watercolor Society and an exhibiting member of the WSA, Meding has won numerous awards. She has appeared on HGTV’s “That’s Clever” (2007), has two cover articles in Texas magazines and is published in Nita Leland’s book, “Confident Color” (North Light 2008). Her studio is in Natick, Massachusetts although most of her teaching is now done online.

It is important to Meding that her art sends a message to the viewer. “Each painting must evoke attention from the viewer and then give them different areas of interest to keep them involved and thinking”. Climate change is a recurrent topic in her own work; she uses water droplets and time clocks as symbols of the urgency of this situation.  With her students she aims to bring out each individual’s style; she finds out what they are passionate about and which design elements they prefer. Sally says “She finds teaching extremely rewarding and shares all her skills and tips that she has learned on her creative journey”.

Bless Portrait

You can find her original work and art-cards at Clever hand Gallery in Wellesley, MA.

sallymeding.com

http/:instagram.com/sallymedingabstract

http/:instagram.com/sallymedingart (realism)

January Artist of the Month – Meet Mai Mai Pietrowski

January Artist of the Month 

Meet Mai Mai Pietrowski

 

Mai Mai Pietrowski’s artwork is as joyous as she is. After starting out in social work, then attaining an MBA from Babson, followed by a successful career in the high-tech industry, this business woman wanted a new challenge. In 2014 she decided to take a beginner painting course at the Danforth Art Museum School. She considers herself fortunate to have had Margaret Gerding as a teacher. Pietrowski notes, “I was starting from scratch. I couldn’t paint the way she did but she encouraged me to paint in my own style.” Gerding taught all the elements-line, shape, form, value, color, space, texture to her student who absorbed the basics and then let her intuition take over. “It’s like there’s an artist inside you and you don’t know it.”

Though she originally felt very out of place in the art world it was Pietrowski’s persistence that led to her accomplishment. She learned everything she could and then followed her instinct. “I began to focus on what I loved: colors, shapes and patterns. That’s my go-to.” Composition and color come naturally to Pietrowski who finds most of her inspiration in nature with additions from her dreams, imagination and travel. As a colorist she emphasizes the contrast between bold colors and neutrals. She often begins her paintings en plein air in her favorite locations including Cape Cod/Provincetown, Kennebunkport and Acadia National Park in Maine, Key West and Provence. Her artwork is held in private collections in France, Switzerland and the United States.

As far as using her business sense, Pietrowski realizes that will always be present but that it has not been the priority this time around. She did commit to opening a studio in Framingham very early on in 2015. Four years ago, she was able to get a coveted spot at SOWA where she now works and shows her vibrant creations. In 2015 she began exhibiting in juried shows and by 2017 had been chosen for Prince Street Gallery in NYC. She has had a solo exhibit at the Liberty Hotel and has her work at Cristof’s in Provincetown. She was honored to become a Juried Member of the National Association of Women Artists (NAWA). Pietrowski is also a member of the WSA, Provincetown Art Association, Hopkinton Center for the Arts, The SOWA Artist Guild, Cambridge Art Association and Fort Point Arts.

As for the purpose of her work: “I’m hoping that people will look at a piece and feel hopeful and uplifted.” Pietrowski is naturally drawn to vibrant colors and uses them in unexpected ways and in subjects where many would be more conservative. She is currently working on themed series such as hummingbirds, still life and tropical flowers. She does not lose sight of the fact that her art is a very personal thing. She recalls a quote that speaks to her: “No one knows why we paint, we just do.”

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